Based on the findings, this study recommends that media creators strive to present more diverse and inclusive portrayals of relationships, including non-traditional family structures and relationship models. Additionally, media creators should aim to challenge traditional notions of romantic love and monogamy, and present more nuanced and realistic portrayals of relationships.
Moreover, media representations of exclusive relationships can also perpetuate problematic attitudes towards relationships, such as the idea that jealousy and possessiveness are signs of love. For instance, in the film Twilight (2008), the protagonist's relationship with her vampire boyfriend is portrayed as a romance, with his possessive and controlling behavior presented as a sign of his love for her. This portrayal reinforces the idea that jealousy and possessiveness are acceptable and even desirable in a relationship.
However, a closer examination of these narratives reveals that they often prioritize romantic love and monogamy over other forms of relationships. For instance, in The Notebook , the protagonists' love story is presented as a singular and all-consuming force that drives their actions and decisions. This portrayal reinforces the idea that romantic love is the most important aspect of a relationship, and that monogamy is the ideal form of love.
The concept of exclusive relationships has long been a staple of romantic narratives in media, with films, television shows, and literature often portraying monogamous relationships as the ideal form of romantic love. However, with changing social norms and increasing diversity in relationship structures, it is essential to examine how media representations of exclusive relationships have evolved over time. This paper aims to explore the ways in which contemporary media portray exclusive relationships and romantic storylines, and how these narratives reflect and shape societal attitudes towards love, relationships, and intimacy.
Moreover, some media narratives are also challenging traditional notions of romantic love and monogamy. For instance, the film Swiss Army Man (2016) presents a surreal and unconventional love story that challenges traditional notions of romantic love. Similarly, the television show Polyamory: Married & Dating (2012-2013) explores the complexities of polyamorous relationships and challenges traditional notions of monogamy.
However, there is also a growing trend towards more diverse and inclusive portrayals of relationships in media. For example, the television show Modern Family (2009-2020) features a range of non-traditional family structures, including same-sex couples and blended families. Similarly, the film Blue Is the Warmest Color (2013) presents a nuanced and realistic portrayal of a same-sex relationship.
Exclusive relationships have long been a dominant theme in romantic narratives, with many films, television shows, and literature portraying monogamous relationships as the ultimate goal of romantic love. For example, in the film The Notebook (2004), the protagonists' love story is presented as a quintessential example of true love, with their relationship serving as a model for the audience. Similarly, in the television show Friends (1994-2004), the on-again, off-again relationship between Ross and Rachel is portrayed as a central plot point, with their eventual union serving as a narrative payoff.